I recently completed The Dutch for the Attacking Player by IM Steffen Pedersen (Batsford, 1997), having originally purchased it in the 2000s soon after getting back into tournament chess. I previously looked at it mostly for casual entertainment purposes, although at one point I evidently transcribed some of the lines into my repertoire database. A little while ago I decided to actually learn (and start to play) the Leningrad Dutch, which has the image of being one of those cool, kind of scary openings that is only supposed to be for aggressive tacticians. This was certainly not my "playing style" for most of my tournament career, but I figure now is the time to put aside the fear of it and pursue something that brings more joy to to my chess experience.
Although this book is not my principal resource on the Dutch - I'll share details on that once fully completed - it was still good to seriously go through it after all these years, with a more knowledgeable approach to the opening, now that I have some other resources to compare it to. Some of its contents hold up better than other parts, which is what you would expect for a book published in 1997.
Here is the contents page:
From a very early age I learned that the weakest spot from the very start of the game is f2 for White and f7 for Black. With this in mind, it seems that one ought to refrain from playing a move like 1...f5, but no one has yet demonstrated a concrete reason why it is wrong. From when I started playing international tournaments the Dutch has been a part of my repertoire. Even though I have come close to abandoning it on several occasions, I keep coming back to it.
At the outset, I should say that the Dutch can be an extremely difficult opening to handle, but please perservere, and I will try to show you that there is nothing better than winning with the Dutch. The funny thing is, though, I would never dream of playing 1 f4 as White!
The book is written for the ambitious player, who would like to play for a win as Black. Therefore, I have focused exclusively on the Leningrad variation. It is a repertoire book, i.e. against every system at White's disposal, I have chosen one or two lines that I believe have the brightest future (omitting lines in which I do not believe) and included suggestions against 1 c4 and 1 Nf3 as well.
Comments:The Leningrad Dutch can be a very difficult opening to handle. Indeed, I have suffered some terrible defeats with it myself and almost given it up. But believe me, there is no need to do that. Only by experience can an opening be learned and the occasional loss is inevitable.
- As can be seen from the above excerpts, the author was a contemporary practitioner of the Dutch and (per the cover page) scored a grandmaster norm at age 16 using the opening. The best opening resources I have found come from people with real tournament experience in that opening; among other things, it gives them a practical feel for what works at the board, beyond pure theory. (This was similarly true before the era of modern engines, since there has always been a "best theoretical line" in existence at any given time.) It helps give the student more confidence as well, since the recommendations have been battle-tested. In this case, Pedersen includes his own tournament games among the examples.
- I appreciated the introduction containing broader structural ideas for Black and White (the ...e5 advance, playing on the kingside, playing on the queenside) before getting into the chapters on different variations and setups. Framing overall goals and showing key moves and typical piece placement help tie together opening concepts thematically.
- The first chapter on the Leningrad main line for the book I ignored, since it only covers 7...Qe8. This used to be the most popular choice for Black (and was played by the author), but it has since been largely dropped at top levels due to the discovery that White's line with Re1 provides a consistent theoretical plus. I'm sure it's still playable at the Class level, but 7...c6 has been the professionals' first choice for a while now.
- The rest of the book was still relevant for me, however, since there is a lot of territory to cover outside of the main line setup that begins on move 7. The Dutch is similar to the Sicilian opening in that respect, with early "Anti-Dutch" variations beginning as early as move 2 that cannot be ignored. Move-order and transposition tricks are common, and something that a practical player like Pedersen is able to provide useful insight into. One of the most important ideas is to avoid committing too early to ...g6 if White can advance the h-pawn and then get to h5 with their queen; this can mean postponing the fianchetto, or even going into hybrid Classical or Stonewall Dutch-type structures on occasion.
- Like any opening resource, the book was treated as informational input into my own custom-built repertoire, with each chapter's material evaluated and explored further with a database/engine setup. Some of the examples and variations, as you might expect, are outdated or do not hold up to modern analysis. However, older sources like this sometimes provide interesting ideas which engines can confirm are workable, but do not appear in contemporary practice. Looking at middlegame examples for piece placement and thematic ideas is also always useful on a general understanding level.
- On a technical level, in the latter part of the book I caught two serious variation errors (with missing moves that could not be reconstructed) and one diagram error (a missing rook). Other than that, the editorial quality was good.



