This next commentary game is a nice example of how strategic, positional play in the English Opening can lead to a tactical finish, sometimes rather quickly. With these master games, I save interesting ones periodically and then get to them whenever I can. GM Alejandro Ramirez recently had a disappointing 2020 U.S. Championship, so I decided now would be a good time to look more deeply at this instructive and clean win of his over FM Aleksey Sorokin, as compensation. (Original ChessBase report and analysis on the 2019 National Open from Li Ruifeng can be found here.)
An examination of training and practical concepts for the improving tournament chessplayer
12 November 2020
Commentary: 2019 National Open, Round 5 (Ramirez - Sorokin)
01 November 2020
Video completed: "Why You Should Never Underestimate Your Opponent" by Tatev Abrahamyan
"Why You Should Never Underestimate Your Opponent" is the ninth video in the Chess.com series by Tatev Abrahamyan. Keeping full awareness of all of my opponent's resources has been a struggle, so this topic is particularly important for me. It also reinforces the idea of focusing your play on the situation on the board, not making assumptions based on your opponent's rating.
The first example game is FM Anastasia Avramidou - GM Valentina Gunina, from the 2018 Olympiad. White was outrated by around 200 Elo. Black plays a careless move in the opening, with the apparent intent of avoiding a simplifying line, and White in response find a tactical sequence that picks up an unprotected rook.
The second one is GM Sergey Fedorchuk - GM Andreas Kelires. At the time, Kelires was not yet a GM and White had around a 600 Elo advantage. The opening is a Najdorf Sicilian and follows an aggressive line with opposite-side castling. White trusts his attack too much and ignores how Black can turn the tables, defending his king position while making multiple threats.
The last example is GM Fabiano Caruana - GM Zviad Azoria, from the 2018 U.S. Championship. White had around a 200 Elo advantage and it was a good year for Caruana, so perhaps he felt he could/should win. In this particular case, however, a very equal R+N+pawns endgame was reached. Caruana passes up a chance to wrap up the draw and tries for an unbalanced pawn race position. Instead, he ends up a pawn down in a lost knight ending after the rooks and other pawns are exchanged.
The common thread in all of these is the negative consequence of relaxing your guard and not worrying about what your opponent can do. This is never good practice, even if your rating is higher than your opponent's.
21 October 2020
Video completed: "Why You Should Always Muddy the Waters When Losing" by Tatev Abrahamyan
"Why You Should Always Muddy the Waters When Losing" is the eighth video in the Chess.com series by Tatev Abrahamyan. This is an excellent practical idea, both for while you are at the chessboard and to keep in mind during post-game analysis of your own games. You do not in fact get any points for losing more correctly, as the engine analysis scores of your games might imply. So to give yourself a chance to turn the game around - which means giving your opponent more chances to blunder - you may need to take more risks, in order to make your opponent's path to victory less clear. Specifically, this involves trying to generate the possibility of some counterplay, in order to complicate the situation. (This idea is also closely allied to the art of swindling.)
The first example is from a classic game, Amos Burn - Frank Marshall. Marshall, in trouble, gave up a rook on a8 (which wasn't doing anything anyway) in order to open up the center and further expose White's king. Black is lost in the long term, in terms of counting material, but moves in the short term from defender to attacker and effectively takes the White queen out of the game. Abrahamyan points out that for psychological reasons, these kinds of inflection points in games can sometimes trigger immediate blunders, since your opponent will have trouble adapting to the new situation and mentally switching gears.
The second example is GM Nana Dzagnidze - GM Marie Sebag, from the 2019 Cairns Cup. Here Black's position is "miserable", with one bishop completely out of the game in the corner and the other not doing much, with White about to penetrate on the queenside threatening to win a pawn. Instead of opting for static defense and continued positional torture, Black sacrifices a knight for two center pawns, immediately giving her excellent control of central space and activating her two bishops. Again, White goes from attacker to defender and has to completely rethink things. In the actual game, White eventually won, but as Abrahamyan puts it, Black was at least alive for much longer and was playing for three results rather than just two (loss or draw, with no counterchances).
The last example is IM Davaademberel Nomin-Erdene - GM Irina Krush (the video graphic intro reverses the order, although the audio makes it clear Krush has the Black pieces), from the 2018 Olympiad. Black is up a pawn, but similar to the previous example she has a bishop locked away at a8 and White is bearing down on the queenside, this time with two advanced connected passed pawns. Black (according to post-game discussions) felt she had messed up the game and just making natural moves would lose. Black pitched a pawn to try and gain activity, which gave White the opportunity to capture it with the wrong piece. Because of this, Black was able to sacrifice a second pawn, opening up her bishop on the long diagonal and getting her queen into a kingside attack, after which White blundered under pressure.
16 October 2020
Training quote of the day #33: Axel Smith
The best way to practise endgames is to decline draw offers, play long games and analyse the endgames afterwards...There are between a dozen and a hundred endgames that are, depending on your level of ambition, useful to know by heart...As I see it, it's enough to carefully study those endgames once and later review them just once a year or something like that.
From Pump Up Your Rating by IM Axel Smith
14 October 2020
Video completed: "Why You Should Always Pause during Your Calculation" by Tatev Abrahamyan
"Why You Should Always Pause to Calculate in Chess" is the seventh video in the Chess.com series by Tatev Abrahamyan. (An alternate title, a little more reflective of the actual content, is given in the series list, "Why You Should Always Pause during Your Calculation"). The main point she introduces is that you should not make assumptions about your opponent's responses while calculating a line - for example, by assuming that "automatic" recaptures will happen. To minimize blunders and maximize your own opportunities, instead take pauses to mentally visualize these positions and check for more options.
The first example game is GM Alejandro Ramirez - IM John Bartholomew. In the actual game, Black (who lost) played an "automatic" recapture of a minor piece, thereby missing the opportunity to play an in-between move that would have protected his en prise b-pawn, while still keeping White's bishop trapped and defenseless.
The second game is GM Hikaru Nakamura - GM Ding Liren, from the Ivory Coast Grand Chess Tour 2019. Ding quickly played a forcing line involving piece exchanges in the center and an attack on White's queen, but missed a back-rank tactic where Nakamura could leave his queen en prise and recover a pawn, ending up with a winning position.
The third example is a 2019 game featuring GM Evgeny Shtembuliak and Abrahamyan herself. White has what looks like an overwhelming attack in exchange for having sacrificed two pawns. Black looked at a couple of tactical defensive tries, calculated that they did not work, then lost quickly. Post-game analysis showed that she could have combined the tactical ideas with a brilliant intermediate move - admittedly, a difficult-to-find queen sacrifice - that would have resulted in a drawish rook endgame.
This video at 7 minutes is shorter than most in the series, but I think it is the right length to highlight the concept and help make it stick as part of a player's thinking process. Previously I've highlighted the problems involved in always playing "automatic" or "obvious" moves without examining other possibilities, especially the role of powerful in-between moves that are not necessarily obvious.


