This next first-round tournament game shows me as White getting a nice position with a small advantage out of a Colle System opening. I remembered the correct general idea, which was to chase and exchange Black's bishop, then develop with c2-c4, Nc3 and Qb3. I am a little slow at getting out the light-squared bishop to d3, by which point it would have been better to fianchetto it for both defense and pressure on the long diagonal. The rest of the game, while being either close to even on the engine evaluation, or with a small Black plus, is in practical terms dominated by Black's better-placed and more-active pieces. The final Black knight maneuver is particularly instructive in that regard, as I fail to get my pieces out of their own way, and its fork threats prove decisive. Look at the pieces and their placement, and you'll see the full story of the game.
An examination of training and practical concepts for the improving chessplayer
29 September 2025
Annotated Game #320: Look at the pieces
28 September 2025
Book completed: The Inner Game of Tennis
As a sport / game / complex skill, concepts of learning and a high level of mental performance in chess strongly resemble that of other similar individual practices, such as martial arts (The Kung Fu of Chess) and tennis (see the Chess vs. Tennis series). Tennis is an especially relevant comparison, being an individual competitive sport with similar Elo-based ratings/rankings and where mental visualization and toughness are primary determining factors in the game's outcome, especially at the professional level.
The Inner Game of Tennis is a classic in the genre of sports performance, being one of the original works that is still very relevant; a 50th anniversary edition recently came out to mark the first publication in 1975. The author, Tim Gallwey, slightly updated the text for it, and there is a new introduction as well by Bill Gates. While the book specifically addresses tennis performance in some parts, including descriptions of how to focus on strokes and ball visualization, it also provides a broader perspective and methodology for the mental-based ("inner game") skills necessary for competitive success. It is also philosophical in nature, not being afraid to ask the why questions regarding individual competition and motivation for play, which are the same for improving chessplayers.
The central focus of the book is distinguishing between "Self 1" and Self 2" - essentially referring to the conscious ego and the unconscious or intuitive mind - and how they interact in competitive performance. I found a strong parallel to the concepts of the split "System 1" and "System 2" modes of thinking popularized in the 2011 book by Daniel Kahneman Thinking Fast and Slow, as well as discussion of "being in the zone" which corresponds to the state defined by Mihaly Csikszentmihalyi in Flow: The Psychology of Optimal Experience from 1990. All of these related concepts and observations, which are not new and are fundamental to the human experience, also touch on the phenomenon of mindfulness, which is an ancient practice of self-awareness and mental focus, not just a contemporary wellness movement.
While the entire book is a worthwhile, thoughtful (and thought-provoking) read, I'll highlight a few particular parts which generated personally relevant insights.
- Quieting Self 1 / Trusting Self 2: these two chapters demonstrate the core premise, which is that we need to reduce the amount of distracting self-talk and internal judgment during a game, in favor of focusing on the task at hand in the moment. For chessplayers, this is a major factor in being able to play consistently and not think unhelpfully about things like rating differences (which can lead to fear and loathing), future imagined tournament standing, or past mistakes and "should have dones" in game. While our intuitive "Self 2" may not always have the best answer, removing negative or distracting "Self 1" interference in our decision-making at the board is always useful.
- Attempting to follow by rote "expert" instructions and principles is a "Self 1" function as well. Although well-meaning, having a player attempt to execute long checklists for thinking processes on each move, or relying on general opening principles without understanding specific positions, are examples of how this does not function well in practice. The book usefully highlights the difference between book or academic knowledge and experiential knowledge; the former may be correct, but the latter is essentially an integrated, intuitive understanding and application of the correct principles at the correct time. This is why there is no substitute for playing reasonably frequently, while at the same time analyzing your own games to understand what is happening in them.
- The overall "why?" question regarding competition and pursuit of a competitive skill is very important to understand on a meta level, and in fact will be the determining factor of the quality of your experience at it. Many people work to become good, even great at a sport but then lose the joy of actually playing and competing at it, and end up quitting. This happens in chess all the time, of course, at all levels. In my own pursuit, I feel I need to pay more attention to the joy and personal interest aspects, while giving less weight to external (or more correctly imagined external) factors/judgements on performance. As the author points out, once you abandon your fear of negative outcomes, it can become a powerful freeing agent that allows you to unleash your full capabilities. Many chessplayers, including myself, have experienced this phenomenon when we recognize our game is objectively lost on the board, but we still have real chances to keep fighting - at which point we maximize our focus and ability to squeeze every last possibility to draw (or even win) out of the position in front of us. (Wouldn't it be better to be able to focus and be free like that before we're in that position, though? That is what I would like to tap into more.)
14 September 2025
Annotated Game #319: Going for an imbalanced win versus the KID
This final-round tournament game displayed my weak understanding of an only partially-remembered line against the King's Indian Defense (KID); hopefully I have rectified that for the future. However, my opponent was evidently unfamilar as well with the position, failing to spot the early-appearing hole in my camp. Despite missing the best move, he continued to put the pressure on my position correctly, using the initiative, but apparently over-estimated his chances in a sequence ending in a dynamic material imbalance (rook and two pawns vs. the two bishops for me). Visually, Black's preponderance on the kingside looks threatening, but it is White that has the most attacking chances in an open game. Eventually I am able to fully activate my pieces - the key to victory in most situations - and exploit Black's weaknesses across-the-board, leading to a nice forced win.
11 September 2025
Annotated Game #318: At least I saw it afterwards
In this next tournament game I get a surprise second Black pairing in a row, but get into a comfortable Exchange Caro-Kann and equalize easily. I play solidly and am able to take advantage of a middlegame blunder from my opponent, but then shortly afterwards blunder back due to complacency and rushing my thinking process; at least I saw my opponent's winning tactic, unfortunately only after I had actually played my move. After that, my opponent plays carefully in a queen endgame to score the point. Despite the dual blunders, there are some useful points from analysis regarding Black's middlegame play, including the fact that the e-pawn break and/or queenside pawn expansion could have been played earlier, that I will take on board for future games.
10 September 2025
Video completed: Basic Pawn Structures in 60 Minutes by IM Andrew Martin
I recently completed what is the first on my "Back to Basics" list, a ChessBase video by IM Andrew Martin entitled "Basic Pawn Structures in 60 Minutes" - it would be hard to find a more fundmental aspect of chess than that. As Martin commonly does, he uses illustrative full master games as the basis for his explanations of key principles, while also providing some light commentary on the overall progress of the game as it goes along.
I was pleasantly surprised by the not too basic approach taken in the commentary, starting with the trade-offs involved with doubled pawns. Essentially, piece activity and the potential to liquidate doubled pawns are the strategic keys for the player who has them, and conversely what the other player has to keep in mind when playing against them. The pair of illustrative games that Martin presents contain an example of where this does not work out for the player with the doubled pawns, in the case of an Exchange Ruy Lopez (Spanish), and then one in an interesting sideline of the Exchange Queen's Gambit Declined where the doubled pawns win. In the first, White's plan is all about first inflicting the doubled pawns - the whole point of the variation - and then heading as rapidly as possible for an endgame with an advantage, which Black simply allows to happen. In the second game, Black (Kramnik) deliberately provokes White in order to gain the two bishops and good piece activity in exchange for his doubled f-pawns.
The second pair of games from Martin looks at "weak" and "strong" isolated pawns, which can be a dynamic concept over the course of a game. The positional trade-offs are highlighted and, similarly to doubled pawns, there is a dynamic balance between enhanced piece activity and a structural pawn weakness. The side with the isolated pawn wants to avoid trade-offs, maximize piece activity, and use its mobility to advance and cramp the opponent. The other side aims for the reverse, to blockade the pawn and trade off pieces until it becomes a liability. The first illustrative game, with Anna Muzychuk as White, shows her playing boldly to aggressively defend against Black's activity in a Sicilian Four Knights, after which his isolated pawn weaknesses become fatal. The second game, with Boris Spassky as White, shows him masterfully winning a Queen's Gambit Accepted where he deliberately accepts an isolated pawn in the opening in exchange for an attacking position where the tactical threats outweigh his pawn structure deficiencies; he then dissolves the weakness by sacrificing the isolated pawn to good effect.
Following that, Martin uses individual games to review concepts with backward (an O'Kelly Sicilian where the pawn is "dissolved" early), hanging (White inflicts them on Black in a QGD, but Black handles it actively and well), blocked (a Czech Benoni, where the central blockage requires patience and a correctly-timed pawn lever from either side) and tripled pawns (which are just horrible). Overall, this is not an in-depth study of each pawn formation, but rather a swift and pointed treatment of core topics, which is the main idea behind the "60 Minutes" series of videos.
In terms of the product's editorial quality, while the audio and video are clear, Martin makes more than the usual number of minor verbal slips, for example confusing references to doubled vs. isolated pawns multiple times; however, his overall points are still understandable. These "verbal typos" are unfortunately a general characteristic of ChessBase video products, which always seem to be "one take, no edits" regardless of how many times a presenter has to correct themselves (or misses a needed correction) in even a short segment which could have been done in a retake. And with modern editing tools, this really should not be a major issue to deal with. The video was originally available on release as a free download, which is when I grabbed it, and for me it was worth the time for watching.
"Back to Basics" series
As part of my middlegame (and probably endgame) studies focus before the next tournament, I am commencing a "back to basics" approach. This involves looking systematically at some resources in my chess library, most of which I have not completed before, that are at the foundational level. It's often easy to overlook, under-study or simply ignore these "beginner" types of lessons, once a player reaches an intermediate level and there are shinier objects to draw your attention. However - and especially for a self-taught chessplayer like myself - foundational reviews can help fill in any gaps left by non-systematic training methods, as well as productively reinforce commonly seen concepts and techniques.
While the much-talked about "beginner's mind" approach to learning skills is certainly helpful, a more attractive parallel concept for me is the martial arts one of practicing, polishing and deepening the mastery level of the fundamental forms of a style. This is less sexy than learning more complex and flashy sequences, but ensures that the practitioner has a deep, intuitive feeling for the art, building a strong foundation before (and even after) more advanced techniques are learned. (See also "The Kung Fu of Chess" and "The Kung Fu of Chess II")
As I complete various things, I'll post separately and also add them to a list in this post, which will be maintained in the sidebar for reference.
Basic Pawn Structures in 60 Minutes by IM Andrew Martin
07 September 2025
Article - "What I Learned from Playing LoneWolf League Season #37: Reflections from an International Master's debut" by IM "Fins"
Thanks to the Perpetual Chess Link-Fest I recently found and read the new Lichess blog from IM "Fins" (actually John Bartholomew) about "What I Learned from Playing LoneWolf League Season #37". The blog summarizes lessons from the Lichess 30 30 tournament league season, which he covers in epic narrative form (29 hours of video) offering in-depth commentary. The blog itself offers six boiled-down summary lessons, which are well worth reviewing in-depth at the above link.
I'd like to highlight in particular his Lesson #2, which hones in on the criticality of the thinking process, something which has been a recurring topic here. He offers a three-step summation (quoted):
- What was the point of my opponent’s last move?
- Before anything else, I try to identify what my opponent is up to. If I were my opponent, why would I have just played that move?
- What options should I consider in reply?
- I like immediately listing at least 1-2 possibilities. I still let my mind wander freely, but having a couple candidate moves gives me a useful roadmap for calculation and evaluation. Unless my reply is forced, this is almost always the most time-consuming stage.
- I’m ready to play a move. Is my move safe?
- Also known as a “blunder check.” I take a good look around to make sure I’m not missing anything, and only THEN do I execute my move.
#1 and #3 are well-formulated and I think #1 in particular is absolutely necessary to understand on every move. This is closely related to asking "what did my opponent's move change about the position?" and internally articulating that in an explicit manner. #3 is of course also critical and we immediately can see the results when we miss an important move possibility for our opponent; applying #1 consistently will also help avoid that. #2 I think needs more unpacking for those of us below International Master level, as we normally will not have a big "chunk" library of typical moves/plans in different position-types that "suggest themselves". This is something that I intend to invest time in for my middlegame study.
IM Bartholomew's other summary lessons are similarly well-articulated, and I particularly agree with his #6 on classical chess, so will encourage interested improving players to go see them in full.
06 September 2025
Annotated Game #317: Free tempos matter
In this second-round tournament game, both my opponent and I know the Classical Caro-Kann main line out until move 17, which is where the game really starts. Unlike my main White opening and queen pawn defenses, which I've been retooling lately, I feel very solid about the Caro-Kann and it's never a source of anxiety or the internal feeling of "I don't really know this" whenever White plays 1. e4 against me.
That said, the middlegame transition could have gotten me in trouble again, as I deliberately unbalance the position while transitioning into a multi-piece endgame. The key moment on move 23 is worth studying, as White could have come out of the sequence with a significant plus, giving himself some key free tempos in the position if he had avoided going for the "automatic recapture" of my knight in the corner. This is one of those mastery concepts - perhaps worth its own post at some point - that Class players often fail to practice, or are ignorant of. It strikes me as similar to the rush to resolve pawn or piece tensions in a position with exchanges, rather than having the patience to wait and improve one's position first.
While I commit other instructive errors along the way, the last one - forcing a transition to a lost K+P endgame - is important for the strategic principle, namely that one has to be certain of the outcome when that choice is made. Although I have an extra pawn, White would be able to snarf up all my pawns first - if he had found the winning idea. Luckily we were both low on time and he decided to go for a move repetition.
05 September 2025
Annotated Game #316: It's not the opening that's the problem
In this next first-round tournament game, I finally get the chance to play my first genuine Colle-Zukertort in a tournament (as White). Although I mess up the opening slightly, I still get a solidly even game out of it and transition into what should be a similarly even endgame. However, I fail to understand the needs of the position until it is too late and my opponent has too many active pieces and an effective bind on me.
This and some other recent results have served to validate my opening repertoire - although the new (or renewed) openings may still be a bit wobbly - and point out that my main weakness is still the middlegame transition and effective planning, while identifying my opponent's resources. I probably will still do some opening work for fun before the next tournament, but I've decided to sink a big chunk of time into middlegame study, along with a bit of endgame learning thrown in. It's not the opening that's the problem.
04 September 2025
Video completed: How I Won A Tournament | 2025 Vigevano Open Recap by IM Kostya Kavutskiy
One of the more insightful (and enjoyable) study methods for chess is to go over master games that contain annotations by the players involved. This combination gives a unique explanatory power into master-level thinking processes, as well as good points to consider about all aspects of a chess game. In the past this sort of product was limited to "My Best Games" types of collections - which are still a thing after the advent of video, including greats like Viktor Kortchnoi - but now individual video game or tournament recaps are a great (and usually free) tool for the improving player, as well as similar retrospectives done in blog format.
An excellent recent example of the video recap genre is How I Won A Tournament | 2025 Vigevano Open Recap by IM Kostya Kavutskiy (seen smiling on the left in the above pic). He goes over each of his seven games, focusing on the chess in a digestible way, with good if relatively basic production values; simple things like having break points for each game on the video progress bar are a nice touch. Like the other Chess Dojo program "senseis", Kostya is an active tournament player still looking to advance his own game competitively. I stopped my own membership a while back, due to a lack of time to seriously follow the program's requirements, but I believe it remains an excellent option for anyone who wants to focus on chess improvement and does not have a lot of other life responsibilities or distractions.
The games in the video are varied and Kostya gives excellent background on the positional assessments, calculations and practical tournament considerations that went into his decision-making. His masterful yet humble approach to the commentary means both his chess and explanations are very relatable, including for Class players. Rather than provide a detailed summary of the content, I think it's just better to point interested chessplayers to the above link to the video, to see more for themselves.
